The sudden death of our dear friend and cousin Nick Ohly hit us hard out here, at this antipodal remove from Sara and Derek, Michel, Jack, Tanya, and infant Miles, upon whom he doted so when we last saw him in Guilford. Everything we've experienced out here since Jake e-mailed us with the news has been colored or even dictated by his passing, and it's been hard to return to the blog with cheery updates, even though there has been much cheer on this trip, and probably too much to report. This past weekend was a Thai festival called Loi Krotang, a time to expunge one's ill fortune and sins and seek the water's forgiveness for all we've done to deplete and pollute it. It is observed at night by means of little banana leaf votive boats and the flying of paper hot air balloons, and the effect Saturday night took our breath away as hundreds of glowing paper balloons with their paraffin flames rose toward the full moon. They looked like stars come down to visit with the moon, but even more, as I wrote Sara, like souls ascending, and so we bought a paper baloon and wrote Nick's name upon it and released it by the River Ping. It didn't seem to want to leave at first, but then the breeze caught it, and up it went to join the rising constellations of light until it was hard to distinguish it from the rest. It felt for the first time as though we were able to mark Nick's passing, even though the weekend before we had dedicated a little Buddha effigy in one of the Khmer temples around Angkor Wat and secreted it in an interstice and marked its location on a map so that in future years perhaps Derek and Jack or maybe even Miles might retrieve it.
We spent four days in Siem Reap, staying at a French-owned hotel called, for some reason, the Victoria Angkor, although perhaps the reason was that it looked Victorian, or British Raj, with open verandahs and ceiling fans in the lobby, only toned up considerably. Our fellow guests were mostly French and would not cue up for the buffet breakfast. We have observed, however, that the day of the ugly American is about done. Most Americans we've seen have been extremely well behaved. The louts, the true bulls in the china shop, the people who climb onto statuary or jokingly imitate worshippers at temples, are the Eastern Europeans, probably because, like the newly prosperous Americans of the 1950s, they're suddenly able to get out of their home countries after years and years cooped up within their own borders.
Cambodia's miserable history was in evidence in the poverty along the roadsides; the signs warning passersby about land mines, of which a local hero has personally found and defused some 50,000; the books about the Khmer Rouge massacres; and the blind amputee land mine victims we encountered here and there. Flying into Siem Reap we passed over hundreds of square miles of the malarial swamp that adjoins the ToiƩ Sap, the largest lake in Indochina, and spotted a couple of fishing villages comprised of house boats and houses on stilts. The Khmer Rouge wiped out an entire such village, we later learned. The tuktuk driver we hired, Mr. Chanthol, apologized for his stilted English and explained that when he was a boy he had to quit school because the Khmer Rouge were going around shooting teachers and even schoolchildren. So he picked up what English he could from tourists.
I had not seen Angkor in half a century, Debbie was last there forty years ago, and since then the sculptures have been ravaged by guerrillas, vandals and looters who, it is estimated, have driven off with some 7,000 tons of statuary, much of it to the thieves' market in Bangkok, where art dealers are reputed to show collectors photographs of Angkor so they can order particular pieces from the site. In many places you can see where they've chipped, pried, and sawn off pieces of sculpture, usually the heads, so that everywhere there are these decapitated figures where I think I recall seeing statuary intact. All of this makes the surviving richness of the complex all the more extraordinary, because the overall effect of these miles and miles of temples, moats, walls, libraries, monasteries is still simply awe inspiring.
I had not seen Angkor in half a century, Debbie was last there forty years ago, and since then the sculptures have been ravaged by guerrillas, vandals and looters who, it is estimated, have driven off with some 7,000 tons of statuary, much of it to the thieves' market in Bangkok, where art dealers are reputed to show collectors photographs of Angkor so they can order particular pieces from the site. In many places you can see where they've chipped, pried, and sawn off pieces of sculpture, usually the heads, so that everywhere there are these decapitated figures where I think I recall seeing statuary intact. All of this makes the surviving richness of the complex all the more extraordinary, because the overall effect of these miles and miles of temples, moats, walls, libraries, monasteries is still simply awe inspiring.
Some of the shops and restaurants we ventured into in the town were run by French expatriates, and I found myself thinking, "But they can't be expatriates. They're already foreigners."


